Services
Some projects need a cinematographer to shape the image. Others need an operator, focus puller or Ronin operator inside an established department. Brands may need the filming handled directly. Choose the service, or send the brief and I will help clarify where I fit.
Visual planning and image making for short films, documentaries, commercials and selected productions. The work begins with the story, references and practical limits of the shoot, then turns those decisions into framing, light, lens choice and camera movement.
Camera operating for narrative and factual productions, with attention to composition, timing, continuity and the director's intended coverage. Available for controlled setups, handheld work and moving camera sequences.
Focus pulling for drama, television and commercial productions. The role is handled as part of the camera department, with preparation, lens awareness, marks and close attention to performance and camera movement.
Gimbal operating for shots that need stable movement without losing the pace or intention of the scene. Suitable for narrative work, documentaries, interviews, branded content and location based productions.
On set lighting distribution support for productions where power planning, cable routing and reliable delivery are part of the lighting setup. Scope should be confirmed against the equipment and production plan before booking.
For brands, organisations and agencies that need the filming itself handled, from planning the shots to delivering usable footage.
Documentary filming built around people, place and real events. The approach stays responsive to what is happening while protecting image quality, sound coordination and the continuity needed in the edit.
Filming for product ads, app campaigns, retail content and social media. The visual approach is planned around the product, the platform and the shots the campaign actually needs.
Single person interviews, expert videos and podcast sets filmed with controlled framing, considered lighting and a background that suits the speaker. Multi camera needs, audio and post production should be confirmed in the brief.
From first message to locked dates, the process stays short and specific.
Send the project type, the role required, shoot dates and location.
Share the treatment, references, schedule or shot list if they already exist.
Confirm the scope, crew structure, equipment responsibilities and expected deliverables.
Lock the dates and production details in writing.
If the role is already defined, send the dates and brief. If it is not, explain the project and the intended result.
Discuss a Production